Kopice. A Story of Beauty Lost

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The album ‘Kopice. A Story of Beauty Lost’ is the most comprehensively developed monograph on the history of the unique palace and park complex in Kopice, one of the most renowned representatives of Neo-Gothic architecture in Silesia.

Opis

Text: Janusz L. Dobesz, Irma Kozina, Maciej Mischok.

The album ‘Kopice. A Story of Beauty Lost’ is the most comprehensively developed monograph on the history of the unique palace and park complex in Kopice, one of the most renowned representatives of Neo-Gothic architecture in Silesia.

Texts prepared by specialists, who discuss in detail both the architecture and history of the place and its owners, enriching the story with cultural elements and details related to art, as well as hundreds of photographs, both contemporary and archival ones, and above all a discussion of the current initiatives related to the restoration of the mausoleum and the palace itself, make the publication absolutely unique.

Particular emphasis is given to the expansion of the palace, whose main designer was Karl Lüdecke, starting in the second half of the 19th century, when the Counts Joanna and Hans Ulrich Schaffgotsch became the owners of Kopice. Their presence is associated with the best and most prosperous period in the history of the palace. Thanks to Lüdecke’s creative work, the palace in Kopice became an architectural landmark of the area, and was recommended by the press as particularly worthy of visiting as early as at the end of the 1860s.

The time of Kopice’s glory passed with the end of World War II, when the Schaffgotschs left the palace in fear of the approaching Soviet Army. Then came the slow degradation of the building and the area around it. Numerous devastations and thefts, culminating with an arson in the autumn of 1956, led to a sad finale: the palace, which was listed in the register of historical monuments, became a complete ruin.

In 2017, a group of regional history enthusiasts and social activists initiated a campaign to save the Schaffgotsch family mausoleum in Kopice. On the 28th of October, 2019, the exhumation of the Schaffgotschs and their reburial in the tomb took place. The renovation of the chapel was completed in the spring of 2022.

 

To purchase the album with shipping outside of Poland, please contact us by email: wydawnictwo@muzeumslaskie.pl.

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Informacje dodatkowe

ISBN

978-83-65945-38-9

Details

Format 210 × 270 mm, 340 pages, hardcover, silver bookmark, uncoated paper, both black and white and colour illustrations, text in English, published in 2024
In addition: 5 inserts containing architectural plans of the ground and first floors in different periods of the palace's existence

Introduction

Community custodian of historic sites in Kopice
Kopice. A Story of Beauty Lost is a publication focusing on a small village in Silesia, near the town of Grodków, in Opole Voivodeship (60 km from Wrocław and 30 km from Opole). It is a compilation of materials which provides an overview of both the growth and the decline of Kopice (German: Koppitz). At one point in its history, the village was one of the major beekeeping centres both in the region and nationwide, a development in which the leading figure was Father Jan Dzierżon, Ph.D. – the Silesian “lord of the bees”. Over the ensuing decade, Koppitz became the seat of Upper Silesia’s industrial moguls, and the home of an extraordinary woman, Johanna Gryczik von Schomberg‑Godulla, subsequently Countess von Schaffgotsch (and also referred to as the “Silesian Cinderella” in local anecdote).

Silesia is more than just industrial landscapes: it can also boast picturesque villages with beautiful churches and magnificent aristocratic residences. Some of its noble and merchant families owed the rise of their landed estates, such as Moschen (now: Moszna), Neudeck (Świerklaniec), Plawniowitz (Pławniowice), and Pless (Pszczyna), to their bold embracing of new technologies offered by the 19th century, i.e. the construction of foundries and coal mines, which improved the standard of living not only for their owners but also for the ordinary residents of the area (through the development of housing and road infrastructure). In the 19th century, Silesia was a promised land, where nature had granted access to its resources – its “treasures” – and thus contributed to the dawn of a new era in the region.

My work includes an ample collection of iconographic mementoes of Kopice’s former resplendence, supported with previously unknown source materials. It tells the story of the ongoing extension of one of Silesia’s most interesting aristocratic residences, which received visitors from nearly all over the world. When viewing with admiration the Schaffgotsch family’s château and their popular 63‑hectare park with its 1,342 sculptures, some of those visitors described the mansion as something out of a fairytale, and were quite right in this observation, as it was home to Countess Johanna, who had been born the daughter of an ordinary peasant family. Through a conjunction of extraordinary events, at the age of six she inherited an estate comparable to the wealth of the Queen of England. At that time, such stories were possible only in Silesia, where anyone could become rich, which is what happened to Karl Godulla. This and more is the stuff of my book.

Every story has its positive and negative facets; in Kopice, the negative ones begin after 1945, when the Polish communists arrive. Courtesy of their efficient management of the Schaffgotsch estate, the property was completely looted and in 1958 it burnt down, also due to the looters’ activities. Today we can enjoy the view of the beautiful majestic ruins of the château reflected in the park pond. Even the deceased owners of Schloss Koppitz were not spared: their bodies were profaned, which was standard conduct in the totalitarian era, as the communist policies left no room for kulaks and class enemies.

Now, decades later, the unique Silesian line of the House of Schaffgotsch, which is related by blood to the Piasts, Poland’s oldest dynastic family, is regaining its splendour. Today, increasing numbers of people are taking an interest in the for‑ mer lords of Koppitz and the village itself. The joint efforts of Kopice’s parish priest, Father Jarosław Szeląg, and myself to save the Schaffgotsch family mauzoleum have contributed to restoring a calm, positive atmosphere in the area. Even descendants of the Schaffgotsches have begun to visit, and no one fears the unknown and the alien anymore. At this point I would like to thank Count Hans Ulrich von Schaffgotsch for his and his family’s cooperation and their assistance in gathering material for this book.

Kopice continues to grow more and more beautiful, which can be observed near the mausoleum, but also around the mansion, whose majestic ruins attract tourists. The arrival of a new owner allows us to hope with optimism that the ruins of the Schaffgotsch residence will be secured and saved. What he has done at the mansion in Żyrowa to date is a credit to him and gives us hope that similar results can be expected at Kopice in a decade or so. I feel privileged that I can tell my story of Kopice, a place that I have been attached to emotionally and involved with as an activist for over thirty years.

Maciej Mischok

Contents

13 Introduction, Maciej Mischok
17 The work of Carl Lüdecke, Janusz L. Dobesz
29 Kopice mansion and park in the time of Hans Ulrich
and Johanna Schaffgotsch, Irma Kozina
55 Kopice. A story of beauty lost, Maciej Mischok
132 Kopice in numbers
133 Kopice: a chronology
134 Kopice in and before 1910
208 1910–1945
250 1945–1956
264 1956–2017
312 After 2017